ANALISIS POLYMETRIC PADA MUSIK IRINGAN TARI NGERUAI KENEMIAK SUKU DAYAK KANTU"™ KAPUAS HULU

Authors

  • Ridho Firman Program Studi Pendidikan Seni Tari dan Musik FKIP UNTAN
  • Ismunandar Ismunandar Program Studi Pendidikan Seni Tari dan Musik FKIP UNTAN
  • Christianly Yery Silaban Program Studi Pendidikan Seni Tari dan Musik FKIP UNTAN

DOI:

https://doi.org/10.26418/jppk.v9i1.39038

Abstract

Absract

This research is based on the willingness of the researcher to find out the polymetric in music"™s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu"™ tribe, Kapuas Hulu. Polymetric is the use of two different time signature signs of each instrument that played simultaneously in one composition. The purposes of this research are: 1) The descriptioning of the structure of music"™s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu"™ tribe, Kapuas Hulu, 2) The analysis of the polymetric in music"™s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu"™ tribe, Kapuas Hulu. A method used in this research is analysis descriptive method with musicological approachment. The data is analyzed qualitatively. According to the data analysis, music"™s accompaniment of Ngeruai Kenemiak has four parts: tebah bujang berani in the opening, tebah kumang gaga in the middle"™, and tebah ansing-ansing in the ending. The polymetric used in the composisition composed by the use of time signature signs in gerumong   instrument 5/4 and 3/4 are different with what used in bebenai, tawak, and ketebong instruments (4/4). The difference of the time signature signs are played altogether in one composition with same tempo.

 

Keywords: Dayak Kantu"™, Music Accompaniment, Ngeruai Kenemiak, Dance, Polymetric.

Published

2020-01-13