Analysis of Wave Tusing Patterns In Hadrah Art In Lubuk Dagang Village, Sambas District
DOI:
https://doi.org/10.26418/ijli.v6i1.79115Abstract
This study discussed the arts in Sambas, West Kalimantan, namely hadrah singing poetry praising the greatness of God and the 'Wave' drum pattern and techniques for playing the "Wave" drum pattern in the Hadrah art in Lubuk Dagang Village, Sambas Regency. The problem in the research is how the 'Wave' Drum Pattern and the Technique for Playing the 'Wave' Beat Pattern in Hadrah Art in Lubuk Dagang Village, Sambas Regency. The method in this research is descriptive analysis in the form of qualitative research. The approach used in this research is musicological. The data sources in this research are the results of interviews with various artists and actors in the "Hadrah" "Lubuk Dagang" arts, namely Afdan, Marzuki, and Iman. The data collection tools for this research are interview guides, observation guides, notebooks, and cameras. The technique for testing the validity of the data in this research is triangulation and extended observations. The result of this research is the "Wave" drum pattern using a 4/4-time signature. The instrument used in this game is tahar/tar. The drum pattern is parent, one child and two children. The "main" tahar functions to maintain the tempo and build rhythmic patterns which are formed into a variety of drumming patterns, the "child 1" tahar functions to interrupt the "main" tahar while the "child 2" tahar has a drum pattern that alternates between the "main" tahar and the "parent" tahar. Child 1". The number of players consists of 3 to 5 people depending on the agreement that has been agreed on how many musicians and poets are desired in the performance. Conclusion Tahar is a traditional percussion musical instrument. The sound source of this instrument comes from a flat, circular membrane or skin with a combination of rattles on the sides of the musical instrument.
Keywords: Analysis, Wave Tusing Patterns, Hadrah
References
Arikunto, Suharsimi. (2010). Manajemen Penelitian. Jakarta: Rineka Cipta.
Asmara, Urai Husna dkk. (2003). Peralatan Hiburan Dan Kesenian Tradisional daerah Kalimantan Barat. Pontianak: Fahrul Bahagia.
Bogdan, R. C. Biklen, S.K. (1990). Qualitative research for education: An Introduction to theory and method. Boston: Allyn and Bacon, inc.
Jamalus. (1998). Pendidikan kesenian (musik). Jakarta: Departemen Pendidikan dan Kebudayaan.
Siagian, Horison. (1992). Etnomusikologi Definisi dan Perkembangannya. Surakarta: Yayasan Masyarakat Musikologi Indonesia.
Sugiyono. (2014). Metode penelitian kualitatif kualitatif dan R&D. Bandung alfabeta.
Sugiyono. (2018). Metode penelitian kualitatif kualitatif dan R&D. Bandung alfabeta.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
You are free to:
- Share "” copy and redistribute the material in any medium or format
- Adapt "” remix, transform, and build upon the material
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution "” You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial "” You may not use the material for commercial purposes .
- No additional restrictions "” You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
